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  • The Revolution Of TV Online, a talk at SIC 2014

    October 17, 2014

    daryl-mcnutt

    I attended the Seattle Interactive Conference the last two days. The first session I went to was “The Revolution Of TV Online: Get Ready For 20 Million On Demand Channels By 2018.”

    Daryl McNutt (@darylgmcnutt) of Adaptive Media showed the audience snippests of online telelvisiont rhough their various platforms such as Hulu and Xbox. Hulu had methods of syndication and obtaining revenue from sponsors that made it a pioneer in the Online Television business model. Netflix was a pioneer of quality online only original series with hits like the latest season of Arrested Development TV Series and Orange Is the New Black TV Series.

    Youtube is still the amazing relevant video dump that it has been for a long time. It has changed the way we watch video. Many of us consume more video but they’re shorter and packed Online Television means more options. With mobile devices, it’s mostly tablets, but I’ve seen some convincing articles like this: Turn smartphone into CINEMA PROJECTOR with £16 cardboard box | Daily Mail Online.

    So, we can chose the where, what and how long with the myriad of options of YouTube and other up and coming online media channels like Vimeo and pay for just what we want if at all. Everyone on social media breathed a collective sigh of satisfaction when they saw headlines like this: HBO to Launch Stand-Alone Streaming Service.

    As a person with a childhood of Television Saturation (a whole afternoon to evening line-up took up my whole afternoon and evening) this has been a great time to focus on the things that I actually want to watch and not just what’s “on.” It’s funny because my generation (most of us anyways) never really paid for television. We went right on from our parents paying for cable to searching for stuff we like through discovery engines like StumbleUpon and sharing stuff we like to our friends via social media links.

    An audience member asked about how to create content for a small screen and in the same vein, how to integrate content across multiple screens. McNutt replied (all paraphrasing here, folks) that REI is using different sequences for different segments, moving the user through devices and different screens, 6 Ways REI Shapes the Digital Consumer Experience. The issue is how to keep track of where the user is through the journey through multiple devices without having them to log in.

    He showed a cars.com commercial (Cars.com: Family Reunion) emphasizing that celebrities aren’t necessary if you have compelling content.

    Takeaways: make your media snackable, brace yourself for the wide-open option-filled media space of the Internet, run analyses of your audience to see what media you should be focusing on because it’s integrated content requires a planned strategy

     

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  • Video: The First Woodwinds Show

    October 17, 2014

    wood-windsASMR: The First Woodwinds Show [binaural] – YouTube.

    I put on my handpainted dress and painted my face in a matching branch motif and recorded myself playing a Woodwinds Show. As the title promises, it’s the first of many, hopefully. I am planning on getting more collaborators in the media lab. So, if you play an instrument (woodwinds preferred, but I’m not judging) please let me know and we can jam. When I play music I just like getting notes out. It’s like drawing for me. There is a sense of being inspired by what I put down, so each thing is informed by what came before it, but I don’t restrain myself. There are no keys, no modes, nothing that my high school music composition teacher could be proud of, but I’m playing music, so I am happy for that. It’s the first time I’ve recorded myself playing the clarinet and the first time this year of playing it. It’s a beautiful wooden clarinet that I will be playing more often. If you have a classy dinner party and you want live music, let me know… It will be improvisational experimental jazz.

    I love the kaleidescope effect here with my paintings in the background and my microphone in the foreground. The media lab is my favorite place to take self portraits because I feel that this environment so completely reflects (and completes) me.

    Recorded on a 3Dio Freespace Pro Binaural Microphone: I’m playing a few flutes and a clarinet and it’s overlaid on itself

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  • My First Seattle Interactive Conference (2014)

    October 17, 2014

    sic2014

    I attended the Seattle Interactive Conference the last two days. It was my first conference. I’ve been to a few unconferences, (InfoCamp Seattle and Mobile UX Camp Seattle) but this was the first time I shelled out the big bucks for a conference at Seattle’s Downtown Conference Center.

    The sessions were neatly packed onto their website in a way that I picked out the sessions that I wanted to go to like a child trying out some new candies based on their packaging. Some of the sessions left a bitter taste in my mouth. The typos on the slides and the lack of enthusiasm from the speaker. I won’t sugar coat this summary/review blog post. It was a rough time for me. I went to the conference alone and though I had fellow alumni from Seattle Central Creative Academy around somewhere, I didn’t really reach out as much as I could have.

    Being a withdrawn artist-designer, I’ve found some of these networking functions to ring false. I feel like Edward Norton’s character in Fight Club where anyone I would talk to, it would be a single-use friend. I’d say hello, try to explain what a self-employed multimedia designer is and then ask them what they do. They’d say “marketing” of some kind and I would shudder a little.

    This conference, by the way, was themed “Spotlighting Makers” which spoiled half of the talks for me because the way the speaker handled it was “You deal with a product in some way, congratulations, you’re a maker.” If you have to be told you’re a maker, bug off. You don’t deserve to be in the same movement. Not that I have any right to be exclusionary, or that language should be a way to help people reaffirm their identities or something, but really. A conference where people talk about “Makers” is pretty absurd. It’d be different if there were some making going on at the conference, but half the talks weren’t even about that so let’s not conflate the already bloated term.

    Anyways, I had a good time listening to Steve “Espo” Powers talk about his graffiti/sign painting work and Mel Carson about Personal Branding. Mel Carson was great not just because of his elegant and articulate British accent, though it was marvelous, but because he wielded it with the right amount of confidence and humor. And, you’ll see in the upcoming post exactly what I think about Espo. I’ll start by saying that he was the first speaker on the second day and I knew that it was all worth it when I saw him talk.

    In the upcoming posts, I’m going to summarize, review and link to some stuff talked about at Seattle Interactive Conference. And to be clear, I’d probably go again next year. I’d love to be asked to attend as a speaker. One day. I have to keep my head clear and get more industry experience.

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  • Video: Introduction from KAT Media Lab to the World

    October 16, 2014

    media-labASMR: Introduction from KAT Media Lab to the World – YouTube.

    Man, I love those wild light blonde locks. I am obsessed with my hair, excuse me.

    I’m in love with my media lab. I made this video after getting settled in a little bit. There are still boxes that need unpacked. I am playing around with the Kaleidescopic effect. A great trick when you are filming by yourself and use the front facing camera which has less resolution, but you can watch yourself as you’re filming yourself, which is nice…

    I’m wearing christmas lights in this video which I think helps orient the viewer slightly in something that is way too kaleidescopic to be visually informative. I have so much fun.

    I’m interested in having seasonal check-ins with myself through the art of video. I like the idea of capturing a moment where I’m telling everyone and no one about something I’m excited about and happy to share. I spent 10 months prior to this lab sharing a small bedroom in an apartment also shared by someone else, so not really having my own space. I was suffering emotionally/artistically/productively from this. Makerhaus was a great escape until they closed their doors. Since moving in to this house with the lab attached to it, I’ve felt a balance/fusion of work and play, living spaces, working spaces and I’m feeling like I’m coming into my own. What it means for me to have a place to leave out my paints, dry my canvases, record my videos and strange whisperings, is beyond words, except for one: Home.

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  • Video: Echo and Slick Walk for a While

    October 14, 2014

    echo-and-slickASMR: Echo and Slick Walk for a While [binaural] – YouTube.

    Echo and I take a walk to the University District from Capitol Hill and we chat and muse along the way. Some singing and joking and something about a nose rave. We have a great time laughing together as the cars go by. I play with some collage work of the footage.

    These longform recordings are fun. We begin to muse about the audience, start talking to them and being silly is half the fun. The process of making these recordings is fun and casual and the results are lovely, random things.

    “Michael Et Cetera”
    “Bro-y-bros”
    “Better than SlimJims.”
    “That’s very sweet and slightly disturbing at the same time. You’re so good at that.”

    The audio

    Recorded on a 3Dio Freespace Pro Binaural Microphone: talking for a while on a busy street after a concert overlaid onto itself so that it fills out in some chaotic stream of conversation collage

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  • Video: The Last Road Trip of Summer 2014

    October 13, 2014

    last-road-trip

    ASMR: The Last Road Trip of Summer 2014 [binaural] – YouTube.

    instagram-hollow

    Sofi, Dmi and I went out on one of our summer photography adventures. This being the last one of its kind– for this summer anyways. We spotted this hollow and I just had to record in it. The light was nice. Found some random sound props in there, including styrofoam and an aluminum can.

    List of Sofi adventures:
    Wenatchee
    Ghost Town of Concrete
    Dungeness Spit
    Lester
    Mercer Island

    Audio: whispered gibberish, dried palm fronds hitting things, my favorite rattle, a pinecone, some coins

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  • Video: Water Falling Concrete Paradise

    October 12, 2014

    water-as-fireASMR: Water Falling Concrete Paradise [binaural] – YouTube.

    This was a lovely day. I was early for something and someone was late for something, so I killed time exploring the nearby areas when I came across the FLEUR DE LIS GARDEN ORNAMENTS IN SEATTLE OUTDOOR GARDEN WATER FOUNTAINS (website is sadly not as beautiful as tens of fountains all in one place, but there you have it).

    I added some colorama effect to the footage and I love that look, when water looks like fire. When we were picking recording names for Prismatic Ventricles (my experimental recording group) I wanted to be “Rain Falling on Oil Slick.” I think this piece embodies all the beauty I wanted to convey with that name. It warms my artistic heart to fulfill names’ expectations like that.

    The audio

    Recorded on a 3Dio Freespace Pro Binaural Microphone: the sound unedited of a showroom of a fountain shop

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  • The Happiness Shirt

    October 12, 2014

    shirt-033My second shirt design in the Kaleidolons line. I call it the Happiness Shirt based on tiling this piece that I was thrilled to see come into the world, so much that I said “This is what happiness looks like.”

    Jakprints Inc. was a good customer experience and their downloadable Photoshop documents are fairly well constructed and easy to submit (though uploading takes a surprisingly long time).

    This shirt is not currently available for purchase, but I’ll be coming up with a gift catalog for the holidays soon. I’m definitely interested in the option where people can work with me on the shirt design, creating a personal collaborative wearable art.

    I should have taken a picture, but I went to an amazing show where there was blacklight and this shirt was phenomenal. The white in the brush strokes really get picked up, creating a dimensional brush feel.

     

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