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  • Nap Video: Editing Footage

    February 4, 2013
    Screen Shot from Nap Footage
    Screen Shot from Nap Footage

    Today was the first day of editing the “Nap” Video. I finished shooting (or at least the planned shoots) yesterday evening and I spent most of the night imagining my warm feelings of friendship and camaraderie I shared with the shooting crew translated into a video. I went through a range of emotions as I began looking through the footage. I felt self-conscious and worried that I had more fun than anyone else because I felt like I was getting something done while they were my minions. I don’t think they felt that way, but it seems sometimes apparent on their faces, nervousness, a bit of wariness.

    As I continued to watch the footage, I felt like so much of it seemed staged and without a story and lacked the charm I anticipated with my storyboards. Towards the end, I noticed some cute-ish coincidences. When I replayed the footage I distilled from my shooting, I felt a little lighter. There is something there. It spoke to me a little as I played all the clips fast together. There’s a story, I just have to put it together. Add some After Effects, create a look and feel.

    It’s interesting trying to create this thing. I am actually getting a lot of help from my friends, acting, videography, some directions. There have been times when I should have been more assertive and said something before the opportunity to shoot it passed and there were times when I thought we got a shot, but the camera wasn’t recording and I didn’t double-check. I have a lot of work to do still.

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  • Brighton Logo Stationery

    February 1, 2013

    stationery-presentationbrighton

    My first iteration of the Brighton School Stationery suite.

    Update 2-6-13: Critique and Edits

    Tom “Frank-bombed” the class. Frank is this discerning older man from Alaska that has been around New York and the design scene in general and Tom invites him to critique to make us cry. I think it’s the opaqueness of Frank’s glasses’ clip-ons. Those orangey pink reflections hide a stare, or a pair of sleeping eyes… hard to tell sometimes. But, he really knows his stuff and isn’t afraid to tell you (multiple times, I might add) the phrase “I don’t know why you did this. This makes no sense.” That’s the part where I was like, “awww…” I thought I had done okay. He didn’t like the “rubber stamp” look of how I treated the red part and the logo was crowded by the other text through color and proximity.

    Here’s my redesign. I like the orange and green. It’s like a sun coming up from a grassy lawn of letters.

    stationery-suite2

    (Earlier Post Relating to This Project)

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  • Toni Morrison Poster

    January 31, 2013

    tonimorrisonIn honor of black history month, the assignment for this week’s poster is an educational poster about a figure in black history. My subject: Toni Morrison, a Nobel Prize Laureate for literature. I was inspired by this quote I found from one of her interviews talking about race and identity. One of her books, The Bluest Eye portrays a little black girl who wants to be white. The photos in the poster are from the Library of Congress, on the left a photograph of a plantation in Georgia built by slave labor. On the right, a photograph as the summary says at the Library of Congress website, “Photograph showing African people carrying supplies and equipment atop their heads for Theodore Roosevelt during his African safari.”

    Inspiration for the Mask: I was reading 100 Ideas That Changed Graphic Design at the time and saw Pacifiers. I liked its simplicity and impact. When I saw it as a sticker on Tom Lenon’s binder, it reminded me of how immediately it evokes emotion with all its simple vector glory. I was thinking about making a character of a black stereotype using this style but in the process of how I would stylize their features, I thought of African Masks and with some pen-tooling, this hybrid post-colonial mask was made in Adobe Illustrator.

    Pacifiers (1938) Aleksandr Rodchenko
    Pacifiers (1938) Aleksandr Rodchenko

    After critique, based on suggestions, I simplified the poster and figured out the type so it is integrated better.

    Poster4_Countiss

    
i like this version because the pink gets a little lost in the other versions.

    i like this version because the pink gets a little lost in the other versions.

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  • Drawing Club Meeting

    January 30, 2013

    pandalincolnYesterday was another Drawing Club Meeting. We used portraits of people and tracing paper to add some needed friends, inspired by Juxtapoz Magazine – Works by Graphik(H) | Current. Other than that, we did our usual exercises, blind contour, telepictionary and collaborative drawing.

    drawingscca

     

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  • How to Plan for the Shift to Responsive Web Design: A Talk at Aquent

    January 30, 2013
    Photo1
    Last night, I went to Aquent where Puget Sound SIGCHI (Special Interest Group | Computer Human Interaction) hosted the talk given by Benson Chan about “How to Plan for the Shift to Responsive Web Design.” The room was filled to the max, people standing for the whole presentation which was a an hour and some change. I heard about the event from my web design teacher, Erik Fadiman. I was a bit unfamiliar with the kind of event that has no registration or entry fee. It was great, arriving at Aquent in Fremont and seeing a bunch of industry people chatting with each other. I saw some SCCA grads, among them, Paul Nissen. At the start of the meeting, they had some people talk about job openings they have at their company and encouraged people interested to come see them after the meeting. After the meeting was a great little networking opportunity. I met a recruiter for the first time. Paul owes some of his livelihood to a wonderful woman named Ann Garber. She told me that recruiters use LinkedIn and Twitter to share and network. Paul introduced me to her in a way that was very flattering. If you ever attend an event with Paul Nissen, make sure you get him to introduce you to someone because he’s a great wing man. I also met someone from Artefact who told me that they are going to post for internship for designers who can code in the next few weeks. Ooooh, opportunities.
    How to Plan for the Shift to Responsive Web Design from pssigchi (Benson Chan has kindly slide-shared his presentation.)
    The Presentation
    Benson Chan addressed a lot of industry practices and the solutions and lessons learned at Microsoft. The evolution of devices creates new challenges for designers and developers. Benson Chan elaborated on four of these points: pixel density, connection speed, screen size and context. Context: When are you using what devices for how long and to what goals?
    Solutions/ Tips from his presentation
    Responsive Everything
    Catering to phones, tablets, desktops and everything in between involves more than a fluid grid framework.
    Responsive content: Using adaptive content hierarchy means having considerations as to which information is more important depending on the device (device= context, adaptive hierarchy= strategy). Some content management systems have rules you can modify to give different content to different viewers based on their viewport, whether it is an Android or iOS.
    Responsive text: readability. Set a base font size.Use “em” to scale vs. px or pt. Consider culture-related adjustments. Japanese culture doesn’t like broken headlines. It is imperative to make changes for your Japan site.
    Responsive Images: Use the same picture for different devices but produce 4 sizes (or what your resources allow). Keep in mind when photographing or creating the picture to leave extra room so when it is cropped to various dimensions, the important part stays in tact. Other considerations for images should also be made (Usability Mistakes to Avoid When Using Photos in Your Website). As an example, Chan had one picture produced to 4 sizes in the following dimensions (pixels): 1600×540, 1024×346, 600×203 and 430×162.
    Your Team
    Benson Chan says “train up your team.” The next step in designer/dev evolution to combat the new way we must design for something like fluid grid or multiple breakpoints is the hybrid: designers who can prototype (html, css and javascript– front-end) and engineers who care about design. Chan also advises to start small. When working with a new team, a simple project to start is helpful. To go through design and dev cycle, people get an understanding of the new communication tactics and tracking systems that may be unfamiliar to them.
    Agile
    The goal is to go from sketch to code fast using good code that you already have lying around for quick prototyping. The goal is iterating a lot to test and solve the breakdown of designs before you get too involved. Agile development environments encourage the pairing, working together, side by side of designers and developers so they can better understand the constraints of the project like limits of image size because of loading time for smartphones.
    Shift to RWD
    When approaching management about Responsive Web Design, ask “How important is mobile for business?” and “What is the cost to support multiple platforms?” Chan emphasized the importance of device targeting, depending on common scenarios and devices. In an efficient work environment, the greatest attention should be devoted to optimizing the experience for the device that your audience uses the most to access your site. When answering “How did you deal with IE8 [when working on a new campaign for Microsoft]?” Chan answered, “It’s responsive to a certain point… not completely broken.” So, when some people say, “Mobile First” it’s a nice thought, but it is important to spend time where your users are today.
    The Future
    More devices, more scenarios, smart cars, smart refrigerators, etc. Be ready to innovate, Chan commands. Apps are a way to control experiences. They create an environment for customers to achieve complex tasks like data processing and we won’t be able to make apps for device. So, for now, Responsive Web Design, good ol’ html, is the way to go.
    Links:
    Benson Chan recommends for the technical side of RWD: Adaptive Web Design: Crafting Rich Experiences with Progressive Enhancement: Aaron Gustafson, Jeffrey Zeldman: 9780983589501: Amazon.com: Books.
    Benson Chan (benson_chan) on Twitter
    Welcome — SIGCHI
    Digital, Creative, and Marketing Talent : Aquent
    Benson Chan recommends DeviceAnywhere for “on-device” testing for devices that are not your core users’ devices.

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  • Brighton Logo: Vector

    January 29, 2013

    brightonlogosbrighton2After translating my sketches into vector, I eliminated a few that I thought had some potential. After adding type, I think the top left one is slightly too slanted and bottom heavy. I’m not sure about the type exactly, but I think it’s a promising inquiry and after tomorrow’s critique, I’ll have a better sense of how type interacts with an abstract mark.

    The logo I presented at critique
    The logo I presented at critique

    Update: 1-30-13

    Critique: shorten up the word so its edges align with the mark’s edges. March type with the irregularities of the logo. Make “school” bolder, it’s just hanging out down there.

    Edits: I adjusted some of the letter forms, note the “r” to match the roundness of the mark and I eliminated the step on the “g.” And put everything on one line and aligned the edges. And then to decide on color…

    brighton logo

    colors
    (Earlier Post Relating to This Project)

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  • More Research for Winter Quarter Project

    January 28, 2013

    Nobody Beats The Drum – Grindin’ on Vimeo on Vimeo Dedication: This music video was made with wooden blocks in a real space.

    Jay-Z & Kanye West – Ni**as In Paris (Explicit) – YouTube. LSD: Using mirrored footage, simple becomes complex.

    Talking Heads – “Once In A Lifetime” – YouTube. David Byrne is Brilliant.

    The 30 All-TIME Best Music Videos | Godley and Creme, ‘Cry’ (1985) | TIME.com. Simple and beautiful concept. I like the intro where there is a graphic representation of crying.

    A ha Take On Me Official Music video – YouTube. Comic book pencil sketched character comes to life. Pencil sketch animation.

    Don’t Come Around Here No More – YouTube. Reintpretation of Alice in Wonderland imagery. black and white checkerboard painted set.

    The 30 All-TIME Best Music Videos | Run-DMC, ‘Walk This Way’ (1986) | TIME.com. Remix plays out with hip hop trying to win a blast the music war with Steven Tyler.

    The 30 All-TIME Best Music Videos | Peter Gabriel, ‘Sledgehammer’ (1986) | TIME.com. Stop Motion meets microscope. Use of a variety of media.

    Nine Inch Nails – Closer (Director’s Cut) – YouTube. Visceral surreal. Perfect for the song. Graphic in a different way than you’d expect.

    The 30 All-TIME Best Music Videos | Weezer, ‘Buddy Holly’ (1994) | TIME.com. A performance done by the band seamlessly pasted onto an Episode of Happy Days!

    The 30 All-TIME Best Music Videos | Jamiroquai, ‘Virtual Insanity’ (1997) | TIME.com. Trick: The walls move not the floor. The dancing is so great, too! Very lovely to watch.

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  • Brainstorm and Storyboards for Music Video

    January 28, 2013

    wimps

    My progress into this project is thus:
    I brainstormed two weeks ago, after having a “discovery” meeting with Matt, the ambassador for the band for whom I am doing the music video for. He emphasized that he wanted a video that he could appreciate and to do that it needed to have a story. “There should be a point,” he said. We showed each other videos that inspired us. Matt had seen my video I made for New Media class last year, Meeting – YouTube, and appreciated the juxtaposition of the cheery music and the dark masked scenes. He said that there are some things that are off limits. He said that I should avoid at all costs the “looking cool while playing guitar” shots. Also, avoid dancing swastikas and circus scenes.

    Keywords I thought of when brainstorming for the music video: story, juxtaposition, creepy, whimsy

    I made two storyboards. I was planning to do three, but I really fell in love with the first one that I made and the second one was lovely enough to present to Matt.

    The first storyboard: “Happiness.” It’s about a character who is bored and miserable and only when he is dreaming does he feel happy. He hatches a plan which is to go make everyone at the party sleep. His facial expression begins to change towards the climax of the song where everyone goes to sleep.

    The second storyboard: “Inception.” It’s about dreaming and the idea was that the character takes a nap in the scene and the scene cuts up into the next scene with the character in the same position but things are a little surreal and it gets a little more surreal each time the character takes a nap as if she is getting into dreams within dreams that get farther from reality.

    I had another meeting with Matt where I presented “Happiness” and got the go ahead and made this mask.

    2013-01-18 14.21.48-1

    I presented this to Matt and he said that the charm in the storyboard was missing and it needed to be square-er and the features hand drawn, so we ended up with this.

    2013-01-18 14.54.57-1

     

    My next step is shooting the video. I’ve got some people to help me but it feels a little overwhelming putting a video shoot together with my friends and getting the shots that we need while still having a good time. I have to put on my director boots and act as well.  I wish there was a list of outgoing people who are down for anything, available anytime, easy to work with and have a car. This would be a lot easier. I do have pretty good friends, though. I’m looking forward to having a team to work on a video. I love the synergy and suggestions that they contribute.

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